Destination: OUT, one of the most important jazz sites on the inter-tubes, is six years old, and they’ve refreshed their raison d’être, their “Beginner’s Guide to Free Jazz.” Words and music and ideas, check them out.
The big show this week is the New York Philharmonic in a 360 degree setting at the Park Avenue Armory, where they will be playing music that makes use of space: Mozart, Ives, Boulez and Stockhausen’s fearsome Grüppen. If you want to experience it but can’t attend, Q2 Music will stream the audio on selected dates in July, and my friends at medici.tv will offer a free webcast of the event, starting July 6.
The great contemporary composer, Henri Dutilleaux, won the inaugural Kravis Prize from the NY Phil, and has done a great thing by sharing the proceeds with Franck Krawcyz, Peter Eötös and the Talea Ensemble’s Anthony Cheung, asking each to write a new work. And Sean Shepherd, with whom I share an enthusiasm for Lutoslawski, is the deserving Emerging Composer for the new season. The Philharmonic currently has an emotionally committed but intellectually ambivalent relationship with new music, and this moves the head closer to the heart.
And speaking of the Talea Ensemble, their recording of music by Fausto Romitelli is out next month, and I’m anticipating this as one of the best releases this year. Save your pennies for it, especially by skipping the Fiona Apple’s over-hyped and disappointing new record.
John Zorn frequently frustrates me, but I do dig his Moonchild band, and Phil Freeman’s review has me wanting the new one, and may have you wanting it too.
Bill Britelle’s Loving the Chambered Nautilus is out on disc copy, dig the title track here (free download), and dig him, Tune-Yards and The Yehudim this Saturday, for free, at the World Financial Center.
Last year, the Dallas Symphony premiered Steven Stucky’s Aufust 4, 1964, and their recording is out now.