Expanding The Good

Despite my [take on the devolution of the form,](http://www.brooklynrail.org/2013/12/music/the-danceification-of-electronic-music) available in the new issue of The Brooklyn Rail (where I am the newly installed Music Editor), electronic music as a serious compositional and aesthetic medium is alive and well. [This post](http://www.synthtopia.com/content/2013/12/21/the-resurgence-of-electronic-classical-music/?utm_source=rss&utm_medium=rss&utm_campaign=the-resurgence-of-electronic-classical-music) at Synthtopia opens up a window on some other leading practitioners, and there’s always this to keep you warm:


I'm a composer and musician, and I write about music—I do that here, for the New York Classical Review, at the Brooklyn Rail (I edit the music section there) and any place else that will have me, like New Music Box and Music & Literature. I also wrote the Miles Davis' Bitches Brew book in the 33 1/3 series.