No songs-of-summer-commercial-pap-to-get-you-to-buy-beer here, but Summer music, music old and new that I listen to in the hot weather. This is a pretty personal list, it comes out of how I want music to make my mind feel in the middle of a heat wave like we just had, and it’s inseparable from my NY City days of early summer manhood, when summer was also a time to discover new things because I wanted to spend as little time as possible in my hot, horrible, SRO room. Music that offers cool clarity or the galvanizing energy and hope of youth.
- Don Cherry, Home Boy. I can’t say this enough, avant-garde jazz musicians make the best funky music, and this is one of Cherry’s finest recordings. “Avenue A Avenue B Avenue C Avenue D / Ain’t no E now.”
- Max Goberman conducting the Vienna State Opera Orchestra, The Symphonies of Haydn. This is an excellent set from a conductor who is now essentially forgotten, but was instrumental in bringing more life and attention to these great works. He died before he could record all of the symphonies, but this is a substantial selection, and the thinking and playing exceeds the famous Dorati set.
- Billy Bragg and Wilco, Mermaid Avenue, The Complete Sessions. A fundamental component in a good music library.
- Grant Green, Idle Moments. Cooler than cool, hipper than hip. Beautiful and soulful.
- Wes Montgomery, In the Beginning. A terrific find. A set of recordings from live dates with various musicians lost to time, but the music is swinging and strong. Montgomery is undervalued in our era, and these dates catch him in his youth (1949-58), and his playing is terrific, exciting and pleasing. Sound quality is a little stuffy but the music exceeds that.
- Jordi Savall conducting La Capella Reial de Catalunya, Monteverdi: L’Orfeo
- Helmut Koch conducting the Kammerorchester Berlin, Monteverdi: L’Orfeo
- August Wenzinger conducting Orchester der “Sommerlichen Musiktage Hitzacker 1955”, Monteverdi: L’Orfeo
- A Monteverdi kick? Not really. I have been thinking a lot about opera, trying to finish writing something, but I listen to L’Orfeo every month, and everyone who claims a love for opera and/or a desire to write operas should be doing the same. L’Orfeo does everything that operas do, from the beginning of the form, and does these things better than everything but a small handful of other operas. The piece is also open to important interpretation, and so it is rewarding to have multiple versions on hand. Of these, Savall’s is newly released, though was recorded several years ago, and is terrific. Even better, in my opinion, are the two historic recordings. The playing and singing don’t have the same knowledge and skill that you’ll hear today, but in the 1950s Monteverdi was essentially unknown, and Koch and Wenzinger’s recordings have the fulfilling sensation of discovery, and are just fascinating and moving to hear.
- Sonic Youth, Daydream Nation. The real last word on the Tompkins Park riot, and the death of an era.
- Nordic Affect, Clockworking. Brand new, cool and brilliant. A fascinating and involving set of new chamber music with that particular, contemporary Nordic touch: ineffable yet steely.
- Egberto Gismonti and Nana Vasconcelos, Duas Vozes. A special record from two unique musicians, a series of duets, loosely formed, that are soothing and dream-like, then coalesce into substantial song. One of my all-time favorites.