September of His Years

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80 is going to be a very good year for Steve Reich (born October 3, 1936). There are concerts around the world celebrating his achievements, and he will be a prominent, season long presence here in New York City.

You can read my reviews of two recent concerts, and looking closely ahead:

  • October 25: Ensemble Signal is back at Miller Theatre for one of their 6 p.m., free Pop-Up Concerts, playing Cello Counterpoint, NY Counterpoint, and the early, experimental Pendulum Music.
  • October 29: At Juilliard, Jeffrey Milarsky conducts the AXIOM ensemble in early and recent pieces, including the gorgeous Music for Mallet Instruments, Voices and Organ, and City Life, which increasingly builds an importance equal to Music for 18 Musicians.
  • November 1: In Stern Auditorium at Carnegie Hall, ICE, So Percussion, Synergy Vocals, and conductor David Robertson will play Quartet, the video opera Three Tales, and the world premiere of Pulse. It’s worth noting here that Reich continues to put make outstanding new pieces that are moving his style forward into new areas of harmony, rhythm, and form.
  • December 10: National Sawdust and the World Music Institute are presenting a concert with Ghanaian master drummer Gideon Alorwoyie and Mantra Percussion, playing traditional music and excerpts from Drumming.

And if you can’t wait, or you can’t make it, order yourself Steve Reich: The ECM Recordings, a neat little box to be released September 30 that collects the first recording of Music for 18 Musicians, probably the single most important record of the last 50 years, along with everything else ECM released (which includes Octet, which Reich later revised into Eight Lines). Consider this an essential part of your music library.

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