Best Reanimations 2016

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The depth and range of 2016 reissues and archival releases was not as great as previous that of previous, years (especially 2015), but there were a small handful of such releases this year that were of rare quality and importance.

The most notable was Decca’s release of their Mozart 225 complete edition of his works. I’ve gone into more detail on this release here, and the short version is that this is the greatest collection of some of the greatest music in human civilization. The choice of performances is superior throughout, and if there is an emphasis on the new thinking that has come out of the Period Performance Practice movement, there is also a generous selection of wonderful performances that are historically important due to their sheer, exalted, quality. Round that out with fragments, works with unclear provenance, a good, short, hard-bound biography, and a new Köchel catalog, and this is a cornerstone collection for a serious classical music lover. But yes, it is expensive, and even with that cost it’s not perfect—my copy has a misprint in the booklet for opera and theater music. At this price, that type of quality control error should not happen, and it’s unclear to me if Decca will replace it, they don’t seem to have anything in the way of customer service.

(Note: Amazon price as of this posting, $340, is the best I’ve seen since it was released, and very close to the best pre-order price that had been available)

(Billboard reports that this is a surprise best-seller, moving more CDs than anything else released this year. This is misleading because they are multiplying the number of boxes sold—6,000 or so out of a total of 13,000 in this limited edition—by the 200 CDs contained within.)

For those sensitive to their budgets, there are still some amazing releases out within a wide price range. My favorites are:

Classical

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There were some good Bruckner boxes out this year too, but I’ll be writing about them in January.

Jazz

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  • Miles Davis Quintet: Freedom Jazz Dance: Bootleg Series Vol. 5. On the surface this might seem to be only for the specialists—the complete tape from the session that produce the great Miles Smiles album. But that means you are there while arguably the greatest ensemble in jazz history puts together a classic recording on the fly. An indispensable look into jazz as process, full of invaluable insights into what made Miles such an unsurpassed band leader. It’s tremendously exciting and makes the original album sound even better.
  • The Complete Savoy Be-Bop Sessions, 1945–49. Savoy is best known as Charlie Parker’s label. But these 10 CDs from the vaults have everything else on the label from that period, vintage early bebop excursions from Dexter Gordon, Milt Jackson, Stan Getz, and many more. One marvelous track after another, complete with alternate takes and the typical excellent documentation from Mosaic.
  • Sun Ra, The Singles Volume 1. Sun Ra’s singles are more than just fodder for condescending hipster lifestyles, they are a Rosetta Stone that decodes American popular music. If you don’t already have the original Evidence collection, absolutely get this. And if you do have it, this new set from Strut has plenty of additional tracks recently unearthed.
  • UPDATED (Can’t believe I forgot this): Peter Erskine Trio: As It Was. This is a 4 CD collection from ECM, everything that this trio produced. Taken together, this series of albums from the 1990s make for a pinnacle of modern piano trio jazz, and the late English pianist John Taylor is simply outstanding on every track.
  • Arthur Blythe: In the Tradition/Lenox Avenue Breakdown/Illusions/Blythe Spirit. Four albums on two CDs, for $20. Lenox and Illusions are two of the greatest albums of the post-fusion era, testaments to the beautifully creative and vital music made on the Loft Jazz scene.
  • Searching for You: The Lost Singles of McVouty (1958–1974). On Resonance, Zev Feldman produced two important archival releases this year, covering Larry Young and the Thad Jones-Mel Lewis Orchestra. He had his hand in this one too, and there’s little this year I enjoyed as much.

Everything Else

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  • Harry Bertoia: Complete Sonambient Collection. A marvelous box from Important Records. This beautifully remasters and documents the records sculptor Bertoia made playing his Sonambient sound sculptures. Hours of rich, mysterious, beautiful, and immersive sounds.
  • Machine Gun: Jimi Hendrix: The Filmore East First Show 12/31/1969. The complete first set of Hendrix’s Band of Gypsys. An amazing performance and unintended culmination of Jimi’s musical world: blues, soul, funk, and rock.
  • Led Zepellin, Complete BBC Sessions. While it might be hard to imagine you would want to hear five different performances of “Communications Breakdown” in the same collection, the playing here is so exciting and powerful that you will enjoy every one. Some spectacular moments in Zepellin’s history.
  • Hey Colossus: Dedicated to Uri Klanger. A compilation of fairly recent music that had limited release previously, this should serve as an ideal introduction to this noise band. Their sound is heavy and warm and completely exhilarating. Not a dull moment to be heard.
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Best Classical Recordings 2015

Another year in which classical music didn’t die, was not dying, was not suffering, etc, just like every other year. I attended easily over 100 classical music performances, spanning music from the Renaissance to something like last Thursday, and listened to over 200 recordings that were issued just this year—and one important caveat is that there is still about 48 hours of music I have not yet been able to get through. If you only read stories about economic issues in classical music (or jazz) you would only ever think that the music is vanishing. It is not so, never has been, will never be. Yes, it’s fucking impossible to make a living, much less a buck, but people are still doing it. Who are you going to believe, mainstream cultural writers/editors, or your lying ears?

The composition of these lists is something I still fiddle with, because of this historical tradition of classical music and the nature of recordings. This year, I have two main lists, Classical Recordings and New Music; the former is new recordings of previously recorded music, the latter is new recordings of music that is heard on record for the first time.

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Classical Recordings

An interesting year to say the least, a big year for Schumann (primarily thanks to Harmonia Mundi, with Isabelle Faust and Alexander Melnikov), and also for Morton Feldman and Fred Rzewski: two new recordings for each of Piano, Violin, Viola, Cello and The People United Will Never be Defeated! respectively. I’m not alone as a contemporary composer and critic who can never get enough of new music on recordings and concert programs, but as we get further into the 21st century, the actual evidence of performances and recordings tells me that new and contemporary is active and pervasive. It’s all one stream of time, and arrow pointing into the future, the vanguard supported by the centuries that came before. I like to spread things around, so it’s an indication of how fine the albums are that I put both new recordings of The People United on this list. Both Levit and Oppens are tremendous in this music, but Levit’s album is a better one because it also has the Golbberg and Diabelli Variations.

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  1. Isabelle Faust and Alexander Melnikov, Brahms, Schumann & Dietrich: Violin Sonatas
  2. Igor Levit, Bach, Beethoven, Rzewski
  3. Le Poème Harmonique, Vincent Dumestre, Coeur, Airs de cour Français de le fin du XVI siécle
  4. Ursula Oppens & Jerome Lowenthal, The People United Will Never Be Defeated!
  5. Aleck Karis, Curtis Macomber, Danielle Farina, Christopher Finckel, Feldman: Piano, Violin, Viola, Cello
  6. Dmitri Ensemble and Graham Ross, Shostakovich-Barshai: Chamber Symphonies
  7. Boston Modern Orchestra Project and Gil Rose, Lukas Foss: Complete Symphonies
  8. Orli Shaham, Brahms Inspired (Opus 117/118/119)
  9. New York Philharmonic and Alan Gilbert, Carl Nielsen: The Symphonies and Concertos
  10. Chi-Chen Wu, Nicholas DiEugenio, Robert Schumann: Complete Sonatas for Violin and Piano

Opera

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  1. RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs, Mozart: Die Entführung aus dem Serail
  2. Boston Baroque, Martin Pearlman, Monteverdi: Il Ritorno d’Ulisse in patria
  3. Musica Aeterna, Teodor Currentzis, Mozart: Cosi fan Tutte
  4. Ensemble Pygmalion and Raphaël Pichon, Rameau: Castor et Pollux
  5. American Symphony Orchestra, Leon Botstein, Hindemith: The Long Christmas Dinner

Honorable Mention:

  • Momenta Quartet, Similar Motion
  • Jennifer Koh, Bach & Beyond, Part 2
  • Frederic Chiu, Distant Voices: Piano Music by Claude Debussy and Gao Ping
  • Alexander Melnikov, Isabelle Faust, et al, Hindemith: Sonatas for …
  • Jennie Oh Brown, Looking Back: Flute Music of Joseph Schwantner
  • Diego Ares, Soler” Sol de mi fortuna, Sonatas form the Morgan Library
  • Kim Kashkashian, Sarah Rotheberg, Steven Schick, Houston Chamber Choir, Robert Simpson, Morton Feldman/Erik Satie/John Cage
  • Sophie Karthäuser, Ensemble Correspondences and Sébastien Daucé, Lalande: Leçons de Ténèbres
  • Ensemble Signal, Brad Lubman, Steve Reich: Music for 18 Musicians
  • Jean Rondeau, Bach: Imagine
  • Movses Pogossian, Varty Manouelian, Susan Grace, Stefan Wolpe: Music for Violin and Piano (1924–1966)
  • Mark Kroll, Marina Minkin, Vitttorio Rieti: Music for Harpsichord and Instruments
  • New Budapest Orpheum Society, As Dreams Fall Apart: The Golden Age of Jewish Stage and Film Music 1925–1955
  • Jerusalem Quartet, Beethoven: String Quartets Op. 18
  • Karen Gottlieb, Music for Harp
  • Trio Settecento, Veracini: Complete Sonate Academiche
  • Melia Watras, ispirare
  • Matt Haimovitz, Bach: The Cello Suites

New Music

An extraordinarily difficult category to rank this year. Michael Pisaro’s release had the most acute effect on me as a listener, so I’ll put that at the top, but everything else was strong, involving, and fascinating in one way or another, together they made 2015 a notable year for new music.

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  1. Michael Pisaro, a mist is a collection of points
  2. Tristan Perich, Compositions 1–4
  3. ICE, Anna Thorvaldsdottir: In the Light of Air
  4. Konus Quartett & Mondrian Ensemble: Jürg: Chamber Music
  5. Yarn/Wire: Yarn/Wire/Currents Vols 1–3
  6. Boston Modern Orchestra Project: Andrew Norman: Play
  7. Conspirare and Craig Hella Johson, Joby Talbot: Path of Miracles
  8. Christian Wolff, Christian Wolff: Incidental Music and Keyboard Miscellany
  9. Parker Quartet, Jeremy Gill: Capriccio
  10. Joe Phillips, Changing Same

Honorable Mention:

  • Zooid, Henry Threadgill: In for a Penny, In for a Pound
  • The Sebastians, Night Scenes from the Ospedale
  • Steve Lambert, Zahskl’s Jukebox
  • Eric Nathan: Multitude Solitude
  • Mihailo Trandafilovski: Five
  • Lewis Nielsen: Axis
  • Nordic Affect, Clockworking
  • Richard Carrick: Cycles of Evolution
  • Dan Trueman, Adam Sliwinski, Nostalgic Synchronic: Etudes for Prepared Digital Piano
  • Elliott Sharp, The Boreal
  • loadbang, lungpowered
  • R. Andrew Lee, as if to each other…
  • Reiko Füting, names, erased
  • Trio Nexus, Alvin Lucier: Broken Line
  • Michael Vincent Waller, The South Shore
  • Noah Creshevsky, Hyperrealist Music, 2011-2015
  • James Moore and Andie Spring, Gertrudes

Reissues

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  1. Stravinsky: The Complete Columbia Album Collection
  2. Ferenc Fricsay: The Complete Recordings on Deutsche Gramophone, Vol. 2: Operas & Choral Works
  3. Glenn Gould Remastered: The Complete Columbia Albums Collection
  4. Sibelius: Historical Recordings and Rarities
  5. Sviataslov Richter: The Complete Album Collection
  6. Leonard Bernstein Remastered Edition: Sibelius: The Complete Symphonies
  7. Ivo Pogorelich: Complete Recordings
  8. Stravinsky: Complete Edition (DG)
  9. Sibelius: Sibelius Edition (DG)
  10. Matt Haimovitz, Orbit: Music for Solo Cello (1945–2014)

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